Meet Lexington’s Logan J. Blackman and some of his music orchestra conducting philosophy

Lexington’s Logan Blackman or the climb of a music conducting professional: Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.” Find additional details on Logan J. Blackman.

Let’s start by having you describe your sound to our readers… Logan J. Blackman : Symphonically, my sound is very grand and cinematic. However in my chamber works, I tend to take a much lighter tone. My Bassoon Duets, “The Logic of a Mad-Man” is nothing but one big satire/comedic piece. Is it true you’ve been making music since you were a child? Logan J. Blackman : Yes! I have been making music since I was 12, but I began writing at around 14.

Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.

You may not be familiar with the tragic love story of Tristan and Isolde, but I would wager that you could conjure up a quote or two from Shakespeare’s Romeo and Juliet, the play that inspired composer and conductor Leonard Bernstein’s West Side Story which catapulted him into the limelight as the music man for all seasons and confirmed his unique sensitivity toward popular culture, philosophy, literature, religion, and the politics of his times. His 100th birthday (August 25, 1918) is currently being celebrated (until August 25, 2019) by orchestras, singers, and dancers in cities throughout the world, and Lexington, Kentucky has joined the party. In keeping with his genius, Bernstein said: “To achieve great things, two things are needed; a plan, and not quite enough time.” Tempus fugit I thought as I sat in the Singletary Center and listened to the University of Kentucky Symphony Orchestra’s (UKSO) April 20th Season Finale: Bernstein at 100!

Currently a music performance junior at UK, Blackman has studied conducting with Lucia Marin and Daniel Chetel, composition with Mike D’Ambrosio at Murray State University, bassoon with Professor Scott Erickson of Murray State University, organ with Bobbie Sue Chumbler of Paducah, and piano with Malissa Heath of Paducah. At UK School of Music, he is currently studying conducting with Nardollilo, composition with Professor Joseph Baber, and bassoon with Professor Peter Simpson. See more info at Logan Blackman.