Kentucky’s Logan J. Blackman or the climb of a music conducting professional
Utah’s Logan J. Blackman or the ascent of a music orchestra conducting professional: Let’s start by having you describe your sound to our readers… Logan J. Blackman : Symphonically, my sound is very grand and cinematic. However in my chamber works, I tend to take a much lighter tone. My Bassoon Duets, “The Logic of a Mad-Man” is nothing but one big satire/comedic piece. Is it true you’ve been making music since you were a child? Logan J. Blackman : Yes! I have been making music since I was 12, but I began writing at around 14. Read more information on https://loganjblackmanmusic.weebly.com.
Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.
Maestro John Nardolillo presented a remarkable program showcasing some of Bernstein’s greatest achievements, sharing the stage with five conductors, four choruses, eight soloists, and the UK Jazz Ensemble. Even the audience got in on some of the action. As Nardolillo opened the evening’s tribute with the Overture from Candide, it became clear to all present that “tonight, tonight, won’t be just any night.” The Candide Overture is the shortest sonata form (ABA) I have ever heard. It commenced (A) with a tremendous burst of frenetic energy initiated by the brass and percussion, and rapidly spread into the strings and woodwinds as if it had gone viral. Then this structured chaos transitioned into a hymn-like movement (B) introduced by the strings and passed on to the other instruments before returning to the more energetic dance-like rhythms established by the horns and timpani at the outset (A). The piece was a single movement less than five minutes long but it packed a wallop, ending with a whimsical whimper and a bang. UKSO’s delivery helped assure its immortality.
Raised in Paducah, Kentucky, Blackman began his conducting career at the age of 14 and his composition career at the age of 12. His first time conducting was a premiere of his own work during high school. Blackman has been a guest conductor with the Murray State Wind Ensemble, Lone Oak High School Band and West Kentucky Woodwind Choir. At the age of 17, Blackman founded his own Blackman Wind Symphony in Paducah. An alumnus of Kentucky Center’s Governor’s School for the Arts and Commonwealth Middle College, Blackman took organ and piano lessons before finding his love for the bassoon. Find even more info on Logan Blackman Paducah.
When Blackman got to the University of Kentucky, he started working on adapting “Prayer” into an orchestral work, at first simply transcribing it. But then, he started to do more, and the work attracted attention. “He joined the orchestra as an undergraduate bassoonist, and it soon became clear that his interests were wider than just playing the bassoon,” UK Symphony Orchestra director John Nardolillo says. “I knew he composed, and he asked me if I would look at the score to this piece he’d been working on. Then he asked if he could take some conducting lessons. So he was working on conducting and I looked at the score, and the score is interesting, and his level of commitment and involvement and interest in conducting, composition and performing is quite high. The story of the piece is compelling, and it seemed like we were in a position to help him with those things.