Daughter of Michael Jackson radio podcast: meet Mocienne Petit Jackson
Daughter of Michael Jackson interview: get to know Mocienne Petit Jackson? Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now out in Portuguese! Slowly but surely Mocienne reaches the conclusion that the mafia played and still play a large and destructive role in his (and her) life. It should also be noted that his family, especially his mother and father, is to blame for many things. To date Mocienne has received no cooperation from the Jackson family in order to have a DNA test done so as to conclusively prove that she truly is Michael’s daughter.
At present, Ms Jackson is seeking to make a name for herself as her own individual. Thriller, for example, offers unique insights on her life by including stories concerning unusual and difficult situations that she experienced while living in the Netherlands. She argues extensively, for instance, that the harshness of the Dutch political system has had a significant impact on her character, and that by writing about it she can express a sense of frankness. Ms Jackson also claims that her father had a tendency to exhibit unusual behaviour which she believes may have arisen from the knowledge that he had kept his daughter in secret since the age of seventeen years. Michael Jackson allegedly did not discuss the topic openly because it was difficult and frightening for him to come to terms with.
Ms Jackson believes that such misinformation has poorly informed the public both about her relationship to Michael Jackson, and about her motives for having taken the matter to court. Her autobiographical series, Thriller, documents her life and gives her assessment on the state of affairs. Additionally, due to the fact that her aunt Diana Ross has declined to provide the press with comment regarding Michael Jackson since his death, Ms Jackson believes that crucial insights about the story are being concealed from the public. As a result of this, Ms Jackson was prompted to write the second instalment of her three-part autobiographical series, Thriller: The Dark side of the Netherlands, which focuses on her life in the Netherlands as well as the context surrounding the court case.
Forever, Michael (1975): In the wake of Music & Me, a maturing Michael began to find his voice here. And while this set is filled with stunning vocals, making it a technically sound record, overall it’s pretty forgettable. It’s a solid if unspectacular effort that served as an appetizer for the musical feast that was soon to come. Forgotten Favorites: “We’re Almost There,” “One Day In Your Life,” “Dear Michael”.
Legal circumstances aside, Ms Jackson also expresses a strong personal sentiment toward Michael Jackson. She claims that, although the relationship she had had with her father did not manage to fully develop, he had indeed loved her and he was glad to have her as his child. At present, Ms Jackson is seeking to make a name for herself as her own individual. Thriller, for example, offers unique insights on her life by including stories concerning unusual and difficult situations that she experienced while living in the Netherlands. She argues extensively, for instance, that the harshness of the Dutch political system has had a significant impact on her character, and that by writing about it she can express a sense of frankness. Read additional information on Michael Jackson Daughter Interview.
The Court did not rule it as being impossible, therefore, that Michael Jackson is the father of Mocienne Petit Jackson—merely that it is impossible to determine through legal means. Ms Jackson filed documents to the probate court in July 2010 in order to validate the fact that the late pop star Michael Jackson is indeed her father and thus to claim an inheritance. You maybe heard about the case of Mocienne Petit Jackson, called by the press the Michael Jackson’s secret daughter. What you most likely didn’t know is the fact that Mocienne Petit Jackson is a productive writer, with plenty of book available on Amazon and most of the other major book retailers. Against the implication that has been drawn by members of the international media, the L.A. County Superior Court did not reject the claim of Mocienne Petit Jackson in 2010 on the basis of the case’s integrity. Instead, the request to validate Ms Jackson’s claim using DNA evidence from the deceased Michael Jackson was not granted due to the fact that the State of California does not possess the jurisdiction to conduct DNA tests on the deceased. As a result, the case has remained open indefinitely.
For the most part, the collaborations actually hurt the songs. No, “Monster” isn’t the next “Thriller”, as 50 Cent claimed it to be, but it’s a decent song. Jackson sounds awkwardly retro, the beat shuffles ‘n’ sweeps, and it feels right…until you’re thrown next to 50’s uninspired rap that sounds more fitting for a summer blockbuster theme. The same goes for the highly irritating and incredibly repetitive “Hold My Hand”, where Akon belts out the same thing again and again in an equally monotonous pitch. For a lead single, it’s tepid and incredibly campy. Then there’s “(I Can’t Make It) Another Day”, featuring guitar wizard Lenny Kravitz, who churns out a chalky riff that tires 45 seconds into the song. Jackson himself sounds angry, forceful, and dominating, but altogether it doesn’t beg for a re-listen. That’s sort of a must when it comes to his music.
The lone #1 single from the 32-million selling Dangerous, “Black or White” spent seven weeks atop the Billboard charts. Directed by John Landis (“Thriller,” National Lampoon’s Animal House) the first quarter of its video reveals Jackson’s mischievous child-like streak, with Culkin towing out Spinal Tap-sized speakers, amplifying the volume to “ARE YOU NUTS!?!,” and shredding so hard that George Wendt gets ejected into the stratosphere screaming “Da Bears.” But this was Michael Jackson, not O’ Shea. Being King of Pop meant the need for mass appeal. The “Black or White” video exists as a microcosm of Dangerous itself. It potently affirms Jackson’s manhood, offers passionate screeds against racial strife, gang violence, and a parasitic American media. This is the album as multi-media spectacle, a precursor to Lemonade, with accusations of infidelity substituted for videos of Macaulay Culkin doing air guitar windmills to a Slash guitar solo and lip sync rapping about turf wars. See even more details at Daughter of Michael Jackson Interview.