Best contemporary digital artists with Jean Arno

Awesome contemporary poets by Jean Arno? Jean Arno is an influential artist from the artistic group, Astrée. Primarily known for his poetry and philosophical aphorisms, he defends the idea that man is, in essence, a creator. Shaping ‘the inextinguishable fire of life’ thus makes up the sacred mission of man, as a poet. He stands alongside those who continually battle against the invasive and deadly forces of contempt for the world and for life, and alongside those who put their creative forces to the service of the highest affirmation of life, those who believe that ‘the impossible can only ever occur by attempting it’. Read extra details at Jean Arno poetry.

But above all, as a pioneer of chaosism (of which he is the theorist) and of a cryptic art or “palimpsestic” art (as he likes to define it), he multiplies the levels of reading in order to “give back to our reality the complexity which essentially constitutes it”. His NFTs’ digital canvases are also known to contain codes which, when deciphered, open a new aesthetic experience (Herodiad, Vanity …), reserved for those “whose soul is rich enough to make a universe out of our material world”. It is also a question “of insufflating into the spirit the ardour which animates the reflection, and provoking by the enigma the sparkling fires of curiosity which deepen what remains for him elusive and unintelligible”.

The Metaverse and NFTs are changing the face of art. Art had already been digitized with the development of certain technologies and applications like “Procreate” or “Tilt Brush” and the growing influence of artists like Jean Arno, Karol Kolodinski, Pete Harrison, Anna Zhilyaeva, David Waters, Mike Winkelmann, and Heiko Klug. What at first appeared to be only a trend is about to change art itself. The idea of “Chaosism,” a new artistic concept developed by Jean Arno and the Astrée collective and defined as “the embodiment of the complexity of life in the unity of art” could only be translated into reality through an advanced technology capable of multiplying the significant layers: digital art and the Metaverse.

What forms will the arts take in the digital universes now commonly called the Metaverse? 
NFTs (non-fungible token) artwork, protected by unique numbers, is now unequivocally the future of the arts. For example, suppose the punk-geek universe dominated the NFT art market in the 90s and 2000s with its video game, comics, manga heroes, heroic fantasy, and science fiction. In that case, it is now competing with artists who produce the new art of the 21st century. Such art includes satirism like Bansky’s iconic street art, with its strong criticism of capitalism and mass public manipulation at the hands of politicians and the media.

Could you tell us more about your background? My background is atypical. I was lucky enough to be raised in a family that valued love and thought in all its forms of expression: philosophical, scientific, and artistic. I was a bright student, but I was reluctant to follow the rules of a school that I found uninteresting and outdated. I loved to read and create. I considered that I had more to learn from Homer, Plotinus, Horace, and Shakespeare than I did from this school. The classes Préparatoires aux Grandes Ecoles proved me wrong. Two teachers there changed my life. They pushed me to examine my thoughts and gave me the keys to express them. From that moment on, I wrote with more regularity. Find additional info on Jean Arno.

The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”

Categories