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See the best tv shows online now? Exhilaratingly political but unfailingly intimate, Eliza Hittman’s third film is a thriller whose antagonist isn’t a person, but a society bent on treating the bodies of the main characters as common property. Never Rarely Sometimes Always takes place over the course of a few days in which a pregnant teenager travels with her cousin to New York City to obtain the abortion that restrictions have made unavailable to her in their home state of Pennsylvania. The precariousness of their situation, which soon stretches beyond the capacity of their meager resources, is counterbalanced by the strength of their bond. Newcomers Sidney Flanigan and Talia Ryder aren’t just magnetic — they convey, often without words, what it means to have someone to really rely on.
Arriving on streaming in the middle of a pandemic, a time when many lives have fallen into unceasing loops of quarantine-related repetition and tedium, the Lonely Island produced comedy Palm Springs perhaps resonated differently than when it premiered at Sundance earlier this year. Jokes about doing the same shit over and over just hit harder now. Tracking a romance between a goofball wedding guest (Andy Samberg) and the bride’s self-destructive sister (Cristin Milioti), writer Andy Siara’s clever script combines Groundhog Day existentialism with a quippy take on quantum physics, doling out inspirational life lessons and math cram sessions at a clipped pace. In the same way Tom Cruise had to battle aliens in Edge of Tomorrow, the two must relive a wedding over and over, struggling to escape from an Instagram-ready, celebratory hell. It might not be as purely funny as Samberg’s other big screen adventures Hot Rod and Popstar, but Palm Springs finds its own winning spin on a surprisingly robust micro-genre.
The darkness is all-consuming, as is despair over a lost past and future, and a purgatorial present, in Vitalina Varela, Pedro Costa’s aesthetically ravishing true tale of its protagonist, a Cape Verde resident who returns to Portugal mere days after her estranged husband’s death. Vitalina wanders through this dilapidated and gloomy environment, which Costa shoots almost exclusively at night, the better to conjure a sense of ghosts navigating a dreamscape of sorrow, suffering and disconnection. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Presenting its story through fractured plotting and dreamy monologues, the Portuguese master’s latest is a series of tableaus of lovelorn grief concerning not only Vitalina but also an aged priest in spiritual crisis and another young man poised to endure his own tragedy. The film’s formal grandeur – its compositional precision, and painterly interplay of light and dark – is overwhelming, as is the majestic presence of Vitalina herself. Read extra info on 123movie.
Whenever we start any discussion of the best media players and how great they are, the name VLC automatically comes at the top. But, why is it so? What’s the reason behind its massive popularity? VLC Media Player is a free and open-source media player that’s available for all popular platforms. Created by the VideoLAN project, VLC Media Player is known to support a vast number of audio and video compression methods and file formats. Over the years, VLC has earned the reputation of being the “play everything” video player. VLC is one of the best PC media players due to its fast and simple nature that doesn’t involve any painstaking steps. The software also features different customization options that can help you improve your viewing experience and change the look of the player. It’s also often used a streaming media player. This amazing Windows Media Player alternative also receives frequent updates and has a large user community. It runs on all Windows versions, from Windows 10 to Windows XP SP3. From time-to-time, this free movie player keeps receiving new features and updates. You can also check out our dedicated article on VLC tricks.
The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control. Discover extra information on https://123movies2d.com/.
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Watch the best movies and read movie reviews now? In the fictional northeast Brazilian town of Bacurau, residents are puzzled to discover that their home has disappeared from all GPS maps, and their cell service has ceased. Stranger still is the 1950s-style UFO zooming around the sky – perhaps a hallucination invoked by the psychotropic drugs the townsfolk have ingested? Or is it a tool of other sinister forces preparing to strike? Teaming with his former production designer Juliano Dornelles, director Kleber Mendonça Filho (Neighboring Sounds, Aquarius) delivers an allegory of zonked-out weirdness with Bacurau, which quickly has locals engaging in a do-or-die battle with a pair of interloping São Paulo bikers and a group of murderous Western tourists (led by a hilariously peculiar Udo Kier) who’ve traveled to South America to partake in a variation of The Most Dangerous Game. Stylistically indebted to both the Westerns of Sergio Leone and the thrillers of John Carpenter, and yet imbued with an out-there spirit all its own, Filho and Dornelles’ film takes a gonzo scalpel to geopolitical dynamics.
At first blush it’s easy to dismiss Birds of Prey. But this feverish spectacle directed by Cathy Yan and scripted by Christina Hodson is a triumph that takes the typically limp superhero genre and injects it with life and bravado as it traces Harley Quinn’s (played by a brilliant Margot Robbie) emancipation from the shadow of her relationship to the Joker. What could have been a trifle turns out to be a rich reimagining of Gotham City into a glittery haven for criminals like Ewan McGregor’s prancing Black Mask and his right hand, Victor Zsasz (Chris Messina stealthily turning in one of the best performances in the film), who are nipping at Harley’s heels over a lost diamond. The plot is besides the point. What matters is the visceral experience. The costume design by Erin Benach is iconoclastic, drenching Harley in a confetti-and-caution-tape aesthetic. The supporting actors give surprisingly realized turns, especially Mary Elizabeth Winstead as the awkward but committed assassin Huntress on a mission of vengeance, and Jurnee Smollett-Bell’s high-kicking fearsome Black Canary. What makes the film sing at the right register of pleasure is its commitment to crafting some of the most audacious, eye-catching, and bone-crunching action set pieces that brim with humor and complication thanks to stunt coordination and fight choreography by Chad Stahelski. We got to see the film four times in theaters before all of this happened, and with each viewing our hearts burst with more appreciation for this scrappy, wild, bombastic film.
Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. This subterfuge is demanded by Cristi’s gangster bosses, with whom he’s both in league with and tasked with nabbing by his law enforcement chief Magda (Rodica Lazar). Cristi’s playing-both-sides predicament is complicated by his relationship with Gilda (Catrinel Marlon), an alluring beauty whose femme fatale status is underlined by her famous noir name, and Porumboiu fractures his narrative so that chronology, like the various dialects employed by his characters, comes across as intricately coded. Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music. See additional info at honest movie reviews.
If you’re looking for a UWP media player app for Windows 10 that’s clean looking, it’s time to stop your search becauase ACG Player could be your final choice. It’s a lightweight media player that has all the essential features like audio and video effects, music visualizer, art font subtitle, gesture control, background music. etc. ACG Player supports most media codecs out-of-the-box and follows no-nonsense policy. It also supports playback from external devices, files, and discs. An even more lightweight version of ACG Player is available in the form of Ax-Lite, which is its faster version without some features. Do give it a try for its clean and zippy interface.
The systemic culture of indifference and cruelty that often forms around a powerful serial abuser gets put under the microscope in this studiously observed New York office drama, which draws inspiration from the behavior of Harvey Weinstein while intentionally blurring some of the details. We never learn the name of the tyrannical boss in the story and the exact nature of his crimes are never fully revealed; instead, Julia Garner’s assistant Jane, a Northwestern grad fresh off a handful of internships, provides our entryway into the narrative. The movie tracks her duties, tasks, and indignities over the course of a single day: She makes copies, coordinates air travel, picks up lunch orders, answers phone calls, and cleans suspicious stains off the couch. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Jane raises the issue with an HR rep, played with smarmy menace by Succession’s Matthew Macfadyen, but her concerns are quickly battered away and turned against her. Rejecting cheap catharsis and dramatic twists, The Assistant builds its claustrophobic world through a steady accumulation of information. While some of the writing can feel too imprecise and opaque by design, Garner, who consistently steals scenes on Netflix’s Ozark, invests every hushed phone call and carefully worded email with real trepidation. She locates the terror in the drudgery of the work. See additional information on https://www.popcorntales.com/.
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Flixtor One high quality movies free online this day? Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten.
This one didn’t open theatrically, so once upon a time it probably wouldn’t have qualified for this list. But screw it, we live in extraordinary times — and besides, this atmospheric murder thriller set in a small New England fishing village is the kind of artfully mounted, suspenseful little charmer they don’t really make anymore, so it feels extra special. Two cash-strapped sisters, struggling to hold onto their house in the wake of their mom’s death, find themselves in the middle of what appears to be an elaborate, twisted conspiracy involving the town brothel and a gaggle of old-timers with some dark secrets. The central mystery itself is interesting, but the main attractions here are the colorful cast of characters and the compelling sense of place established by writer-directors Bridget Savage Cole and Danielle Krudy.
In what hasn’t exactly been a great year for action movies so far, Bad Boys for Life has to be the biggest surprise. Given its lengthy production history, its January release date, and the departure of series director Michael Bay — the action auteur gets a winking cameo here, perhaps taking a break from shooting Netflix’s 6 Underground — this movie could’ve been a disaster. Instead, Smith and Lawrence easily slip back into the roles that made them action movie icons in the ’90s and the writers find a way to update the garish, over-the-top aesthetic of the series for the franchise era. In a wise decision, directors Adil El Arbi and Bilall Fallah don’t even bother trying to top the excess and mayhem of Bay’s Bad Boys II.Bad Boys For Life is a gentler, sillier movie than its predecessor, less interested in moments of vulgarity than in scenes of sitcom-like human connection and familial melodrama. There are explosions and car chases through the streets of Miami and jokes about getting too old for this shit, but the material is given a light touch that lets the two stars do what they do best. Discover even more info at flixtor movies.
The true story of a mother’s search for her missing child, Netflix’s Lost Girls is a clear-eyed and moving expose about the many ways in which troubled young women are let down by parents, police and society at large. Using Robert Kolker’s book as her source, director Liz Garbus recounts Mari Gilbert’s (Amy Ryan) efforts to find her oldest daughter Shannan, a prostitute, after she vanished following a house call in a gated Long Island community. At every turn, what Mari discovers is a lack of urgency about, if not outright indifference to, her daughter’s disappearance, even after other bodies are found in the very same area. Ryan’s powerhouse performance as the fiercely determined Mari is the nucleus of this dispiritingly bleak tale, in which there are few concrete answers to be found, but plenty of blame to pass around. That Garbus doesn’t let Mari off the hook for her own mistakes, while nonetheless casting a reproachful gaze at the individual and systemic failings that allow such crimes to occur – and go unsolved – only strengthens her cinematic case for compassion and togetherness as the bulwark against tragedy.
DivX Player for Windows. It calls itself the first of its kind media player that offers free HEVC playback. With this popular and useful media player, you can also enjoy UltraHD (4K) playback. It goes without saying that DivX player is optimized for played video files in the most popular formats like MP4, MKV, DivX, and AVI. DivX also acts as a streaming media player that lets you stream music, video, and photos to any DLNA-compatible device. DivX player also comes with advanced features like Trick Play, which lets you jump to your favorite scenes easily. With the support for Chapter Points, you can simply play different scenes. Its smart media library keeps track of the purchased as well as private video content. The support for multiple audio means that you can switch among different soundtracks without hassle. With its Resume Play feature, you can simply jump to the point where you left off.
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Best 3 Youtube to Mp3 online downloaders
Best Youtube to Mp3 online downloaders? Another user-friendly website, GenYouTube converts YouTube videos to MP3 and other formats for audio and video. Copy and paste the link to a YouTube video in the search field. GenYouTube starts playing the video. You then select the format for the audio file, such as MP3 or M4A. Download the file to play it on your device. GenYouTube has other tricks up its sleeve. If you’re watching a video on YouTube, simply add the word gen to the video link, as in https://www.genyoutube.com/watch?v=qZXdZwsx64I, and you’re swept away to the GenYouTube site to download the video. You can also tap into the service by installing browser extensions for Firefox, Chrome, and Safari.
An utter delight of a program, ClipGrab makes converting from YouTube to MP3 nice and simple – aside from the bundling of the Opera browser, which is easy to skip if you’d rather avoid it. The wonderfully simple interface gives you a pleasing hint of just how easy things are going to be, right from the word go. Copy a YouTube URL to the clipboard and ClipGrab will spring into action, offering to download the related video for you.
Freemake YouTube to MP3 Boom as being the most stylish all-in-one YouTube music software, allows you to search YouTube tracks, convert them to MP3, share your favorite tracks via Facebook or Twitter and listen to all your music in one place. The best part about it is that there is no necessity to open your web browser and copy the YouTube link, because you may simply type the name of the artist or song in the program’s search bar and all possible results are revealed in the main window. Additionally, you can use popular hashtags (#top100, #rock, #pop, etc.). By default, Freemake YouTube to MP3 Boom saves the output audio file in MP3 format, so it lacks the possibility to choose an output audio format. Discover even more info on MP3 Converter.
Is Kodi legal? You can learn more about the specifics of Kodi’s legality in our Is Kodi legal guide, but in a nutshell: Kodi, in its standard form running official apps, is not illegal, or what is called an “illicit streaming device.” For a device to become “illicit”, it means it is used to watch shows and other content “without the copyright owner’s permission”. This can be via hardware, software or watching it at a friend’s house and includes via a smart TV, laptop, tablet or phone. Illicit streaming devices are boxes or USB sticks you plug into your TV that have been adapted in some way to access content you haven’t paid for, or hasn’t been approved.
Free of Cost: Our amazing YouTube to MP3 converter is free of cost. You don’t need to pay any monthly subscription or any fee in order to use it. You can use it anytime anywhere without any cost. So, do you want to try the mp3 YouTube version? Let’s do it now with our tool. Can be done on all kind of devices: You can convert any YouTube video from computers and mobile phones or tablets too. So, you don’t need to be restricted to use of a desktop system or laptop in order to have your mp3 YouTube output file. Find more details on https://youtubetomp3.so/.
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See tv shows free online with movies7.to? Czech artist Barbora Kysilkova responded to the theft of two prized paintings by befriending Karl-Bertil Nordland, the drugged-out gangster behind the crime. Benjamin Ree’s intriguing The Painter and the Thief tells the tale of their unlikely relationship from both of their perspectives, charting its ups and downs with formal astuteness and inviting intimacy. Beginning with Kysilkova’s decision to paint Nordland’s portrait (peaking with one of the year’s most stunning scenes), their bond is forged by underlying similarities: traumatic and abusive pasts, as well as their habit of risking their lives for their addictions – in his case, drugs; in hers, painting. Ree reveals such connections through subtle juxtapositions that emerge naturally from his subjects’ day-to-day travails, which eventually involve financial hardships and a near-fatal car crash for Nordland. In private moments alone and between the two, the director illustrates how the act of seeing each other – truly, and without prejudice – is key to their shared affection, thereby turning his documentary into a tribute to the transformative power of empathy.
The tony Pennsylvania prep school in which Tayarisha Poe’s nimble debut takes place might bring to mind mean-rich-kid chronicles like Cruel Intentions — but it has more in common with Rian Johnson’s 2005 baby-faced neo-noir Brick. Selah and the Spades is a teen drama in which the line between social clique and mob family feels incidental, taking place in a boarding-school bubble that’s enthralling and insular, privilege serving as a kind of leveling agent that makes day-to-day skirmishes for dominance the only thing that matters. And at the still center of this surprisingly tumultuous world is Selah (Lovie Simone), a character whose desire for a successor wars with her instinct to destroy anyone who challenges her place — even when it’s someone of her own choosing. It’s a compelling portrait of someone who, having made herself the queen of this limited kingdom, finds herself terrified of life when she leaves.
In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre. Discover additional details on watch tv shows online.
Tom Hardy’s gift for hulking intensity and charismatic growling are in full effect in Capone, a fictionalized account of the last year in the life of the legendary American gangster. Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. Part Cowardly Lion, part Bugs Bunny, and altogether ferocious even as his sanity frays, Hardy’s Capone is yet another triumph for the star, who ultimately captures his protagonist less through imposing physicality than via his dark, glassy, lost eyes.
Competing with other video players like VLC, PotPlayer has managed to earn a good reputation in recent times. This multimedia software for Windows platform has been developed by South Korean internet company named Kakao. PotPlayer has tons of features and specialties that can easily give VLC a run for its money. This recommended media player comes with a wide range of customization options that allow you to make this software fit for your needs. Using the techniques like CUDA, QuickSync, and DXVA, PotPlayer is able to deliver maximum performance and lightweight experience. That’s why PotPlayer is the second best media player on the list. Compared to VLC, PotPlayer might be less popular but it supports even more file types. It goes without saying that it’s a great player for MP4/FLV/AVI/MKV files, which are very common. You have the option to make a choice between sound cards, bookmark your favorite scenes and preview them, etc. You also get filters for brightness, contrast, hue, noise reduction, etc. It also comes with lots of built-in keyboard shortcuts and hotkeys. But, what makes VLC more popular than PotPlayer? Well, for most of the users, the long list of features and settings might be just too much. Also, PotPlayer is limited to Windows. Overall, PotPlayer is one of best media players around if you want to ditch VLC Media Player.
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Watch top tv series free online? Liz Garbus’s grim Netflix drama is based on Robert Kolker’s powerfully empathetic book about the victims of a still-at-large Long Island serial killer believed to have butchered between 10 and 16 female sex workers — whose bodies lay for years on a stretch of Gilgo Beach. Garbus focuses on the conflict between a working-class mother (Amy Ryan) whose oldest daughter has disappeared and the Suffolk County Police — led by a grave, empty suit (Gabriel Byrne) — who don’t exactly put themselves out for missing “hookers.” The film lacks the scope of Kolker’s book, but in tracing a link between murderous misogyny and patriarchal indifference it leaves you bereft (Why aren’t they acting like committed TV cops?) and then outraged. It’s an anti-police procedural.
Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten.
In what hasn’t exactly been a great year for action movies so far, Bad Boys for Life has to be the biggest surprise. Given its lengthy production history, its January release date, and the departure of series director Michael Bay — the action auteur gets a winking cameo here, perhaps taking a break from shooting Netflix’s 6 Underground — this movie could’ve been a disaster. Instead, Smith and Lawrence easily slip back into the roles that made them action movie icons in the ’90s and the writers find a way to update the garish, over-the-top aesthetic of the series for the franchise era. In a wise decision, directors Adil El Arbi and Bilall Fallah don’t even bother trying to top the excess and mayhem of Bay’s Bad Boys II.Bad Boys For Life is a gentler, sillier movie than its predecessor, less interested in moments of vulgarity than in scenes of sitcom-like human connection and familial melodrama. There are explosions and car chases through the streets of Miami and jokes about getting too old for this shit, but the material is given a light touch that lets the two stars do what they do best. Discover additional information on watch tv shows online.
5KPlayer, the final entry on the list of recommended Windows media players, is a top-rated video player for Windows 10 as it’s extremely compatible. It claims to play almost all kinds of videos and music without any plug-ins, and it actually delivers. Its interface is very clean and simple. It’s also known for its more streaming options. 5KPlayer also lets you import videos and music from websites like YouTube, Facebook, Vimeo, MTV, etc. It goes without saying that it’s compatible with common formats like MP4, MOV, M4V, MP3, AAC, etc.
Aviva tackles the multifaceted nature of gender identity in fittingly diverse fashion, depicting the highs and lows of a couple’s relationship via narrative and modern-dance means – as well as by having both a man and a woman play each of its protagonists, male Eden (Bobbi Jene Smith, Tyler Phillips) and female Aviva (Zina Zinchenko, Or Schraiber). That Bunuelian device speaks to the masculine and feminine sides of both characters, whose ups and downs together and apart form the basis of Boaz Yakin’s (Remember the Titans) unconventional semi-autobiographical tale. From email pen pals, to husband and wife, to estranged exes, Eden and Aviva’s love story is told from both external and interior vantage points. The writer/director employs narration, shifts in perspective, flashbacks, and wild dramatic scenes—both male and female Edens and Avivas sometimes share the screen, partying, arguing or having passionate sex—to provide an intimate sense of the desires and fears propelling these conjoined figures forward. Yakin’s sinuous, passionate indie is as entrancing as it is daring.
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Enjoy the movie: Sirenetta
Once upon a time, there lived a little mermaid princess under the sea named Sirenetta. She wasn’t happy with her fins, so she traded them in for feet. As a human, Sirenetta -known as Nettie Pearlman, lives a happy life with her friends in Hibiscus Cove. Sirenetta and the Second Star takes place a year after she becomes human.
Four mermaids ask for Nettie’s help finding a lagoon so they can escape pirates. Nettie decides to dive back into the sea and help them, yet everything is not what it seems. Sirenetta and the Second Star is a fun four-part adventure that is entertaining for children. The characters are lovable, fun and provide great lessons for children like being honest, showing kindness and learning how to trust others.
https://www.youtube.com/watch?v=ApvM71nJpWg
After watching Sirenetta and the Second Star, be sure to watch Sirenetta’s Family Dinner. Sirenetta’s Family Dinner is a short continuation film taking place after Sirenetta and the Second Star, which focuses on the theme of family. Sirenetta’s Family Dinner shows that family is not just who you are related to, but the (mer)people who love and support you.
Both of these films are absolutely sweet and are a joy for children to watch! Plus, who wouldn’t want to watch pirates, mermaids and unique sea creatures?
Watch Sirenatta and the Second Star along with Sirenetta’s Family Dinner on Vyre Network’s Family Channel, which is available in 113 countries worldwide on Apple TV, Roku, Amazon Fire, Android, IPhone, and web. Download Vyre Network now at Watchvyre.com
6 Facts Why Generation Z is Picking Vyre Network
The race for the top market dominance in the streaming industry is hotter than ever with the amount of people that are currently enjoying their time at home. While the demand is met with the distribution of online services, there are many that, although not own a great market share, cna potentially enjoy dominance in the audience they target. A great portion of the attractive audience comes from Generation Z; those born in mid to late 1990’s as a starting point, and early 2010’s as ending birth years. The audience, unlike other segments, has crossed many chasms which makes their needs different for the same category. Certainly, many share things in common and often opt for new, fresh, and different approaches; Vyre Network is here to enjoy the switch and rush that Generation Z prioritizes.
- Diversification of Channels
Vyre Network offers a great variety of channels that will fit every personality, need, and trait. While all channels are growing and some are soon to come, the available ones are nothing but straight heat. Offering original series and films, as well as great hits that outline societal problems and our communitie’s relevance, channels like; itsEspanol for the Latino community. Family, for family entertainment. SightC TV, for exotic earth documentaries. Foodie, for the food lovers. MGraceland TV and TRUE Mag TV for music enthusiasts. RnB Mag TV, for her. Vyre Live for exclusive live stream events, concerts, and entertainment. vSports, sports Entertainment for champions. News, series, documentaries, and updates on your favorite sports happenings. Kids TV, for your little ones to enjoy anywhere, anytime. Podcast – Word of Mouth, streamed on your phone or smart TV. LGBTQ, curated LGBTQ films, shorts, and tv series from around the world. Gen Z is all about inclusion and variety, and Vyre is offering them a handful of options and categories they love.
- Music Channels
Music plays an important part of the everyday Gen Z activity, it is in their soul. Vyre Network offers a different approach, giving them a channel for music in which they can see music related visual art that will bring them closer to the genre or discover new artists; an example is True Mag TV, A streaming channel dedicated to Hip Hop culture. Featuring movie shorts, feature films, original series, artists docuseries and curated music video playlists to match your vibe. As well as MGraceland TV, an EDM and Pop culture, it is your tour through the electronic dance music and Pop industry through series, films, music videos and more.
https://www.youtube.com/watch?v=zGiY4zCBHhQ
- Available Everywhere
The streaming service is available in all major outlets, making it easy to be found on all devices and platforms. From Google’s Playstore and Apple’s App Store, to Apple TV and Amazon’s Fire Stick. There is always somewhere to download and enjoy the offerings Vyre has for their audience, and Gen Z is all about changes!
- Not Mainstream
Vyre Network is not as popular as the rest of the competition, which gives the generation a sense of belonging in a place where they can enjoy what others do, without the buzz and opinion of society. Who isn’t tired of those who follow the masses? Vyre’s audience feels like an insider, as the rest of the audience prefers to go for popular, hyped platforms and shows; They love being underground and keeping things cool. As the popularity of the platform increases, Gen Z are technophiles; not scared to try something new and different, they are early adopters and Vyre Network’s platform offers just that.
https://www.youtube.com/watch?v=EcYWa2XEMKk
- Easy, Clean UI and UX
Today’s day and age, it is all about technology and the experience the user has with the website and app. Gen Z has grown with the changes in technology deeply rooted in them. While Vyre offers a clean interface that outlines the movies, series, and channels in their respective category; one can find a deeper variety of subdivisions within the channels and categories, making it easy to filter and find the desired films. With great film placement that makes it easy to access the channels and categories, not much scrolling is needed, and as Gen Z are usually busy, the accessibility comes in handy. The technical team at Vyre has given the solution to one of the generation’s main problems; unnecessary scrolling and wait times.
- No Loops, Just Straight Entertainment
Dealing with what the world has to offer is often tiring for those who are enjoying their youth. Being in control over your possessions and services is always important. Generation Z members love freedom, change, and transparency; Vyre offers just that. Why not love someone/ something that has no catch? Simple and easy way to acquire the desired films without going through the fine print of contracts. Freedom is given and in a corporate world that cares about money; the present and future of our society that is embedded in Generation Z can recognize that Vyre Network is for our community and our people.
About Vyre Network
Vyre Network represents a visually driven culture, from millennials to generations X, Y, and Z. Vyre distributes a wide range of entertainment that allows popular culture to express themselves as consumers and creators without boundaries. This includes TV shows, feature films, short films, music videos, and exclusive live events. For more information on Vyre Network please check out www.watchvyre.com.
You can stream these projects on Vyre for FREE. Available on Apple TV, Roku, Amazon Fire Stick, Android, iPhone, and on the web.
Convert movies from Youtube to Mp3 with mp3ytb.cc
Transfer songs from Youtube to Mp3 by mp3ytb? Freemake YouTube to MP3 Boom as being the most stylish all-in-one YouTube music software, allows you to search YouTube tracks, convert them to MP3, share your favorite tracks via Facebook or Twitter and listen to all your music in one place. The best part about it is that there is no necessity to open your web browser and copy the YouTube link, because you may simply type the name of the artist or song in the program’s search bar and all possible results are revealed in the main window. Additionally, you can use popular hashtags (#top100, #rock, #pop, etc.). By default, Freemake YouTube to MP3 Boom saves the output audio file in MP3 format, so it lacks the possibility to choose an output audio format.
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Is Kodi legal? You can learn more about the specifics of Kodi’s legality in our Is Kodi legal guide, but in a nutshell: Kodi, in its standard form running official apps, is not illegal, or what is called an “illicit streaming device.” For a device to become “illicit”, it means it is used to watch shows and other content “without the copyright owner’s permission”. This can be via hardware, software or watching it at a friend’s house and includes via a smart TV, laptop, tablet or phone. Illicit streaming devices are boxes or USB sticks you plug into your TV that have been adapted in some way to access content you haven’t paid for, or hasn’t been approved.
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Major Movie Star critics
Major Movie Star reviews: If Major Movie Star was a failure at the American box office, he is nevertheless brilliant and cult by his writing and the many references it contains.
Jessica Simpson is amazing as Megan Valentine, a successful actress who loses everything and finds herself in a world opposite to her: that of the army. She knows how to play well on all levels and is a good actress. Vivica A. Fox is scary as Sergeant Morely, but she does that, because that’s her job, and as a result, I appreciate this character better and better as the story unfolds. Simpson’s sidekicks are also excellent, when to Ryan Sypek, I think he makes a nice couple with Jessica.
This film is a duel between the artistic world and the realistic world of the army, while demonstrating the superficiality of the 1st universe, facing the hardness of the second, thus giving a contrast between the two for the spectator. And through this, if Megan may seem futile, she never was, but is just aware of the world she lives in and therefore, I feel sorry for her.
There are a lot of references, whether it’s at the level of the dialogues, the names or the situations mentioned. For example, when Megan talks to the dog, it makes you think of the film « Beethoven » or when Petrovich quotes one of Megan’s films «disco balls in time», which refers to « Austin Power Goldmember ». Megan Talks to her car and I saw a big wink at k2000, not to mention when Nigel calls Amber “Catwoman” or when Megan is cheated by her boyfriend, who has an affair with her art agent, as was the character of Lester in the movie “American Beauty”.
I also perceived references with the names of the characters, because Steve Guttenberg plays Sidney, an agent and it reminds me of the series Alias, because Jennifer Garner plays Sidney Bristow, an agent. I also see a reference to Scary Movie, because Kurt Fuller and Cheri Oteri are both in that movie, not to mention “Carrie”, when Nigel said to Megan, “These rules were of Satan”. I also feel a big wink to Police Academy, a policeman who puts chaos in his police academy played by Steve Guttenberg, while Megan makes a mess in an army. I would even say that it may also refer to the Disney movie “Cadet Kelly”, because of the situation of seeing a woman in the army, while observing that the actress Aime Garcia also played in this TV movie.
Finally, there are so many references at the level of dialogues or scenes played, that it makes the film cult and brilliant by its writing and that it must be rehabilitated, because it is just a masterpiece. View the movie review here https://www.youtube.com/watch?v=4wShl67yxDA.
Why i believe that Blonde Ambition is a cult film
If Blonde Ambition which is an independent film was a failure at the American box office, but a success in other countries, it remains no less cult and here are the reasons.
First: her casting. Jessica Simpson plays the sparkling Katie Gregerstistch perfectly and I love seeing her on screen. As for Luke Wilson, who interprets Ben, a reserved man, I think they are very well together. The character of Mr Connelly, camped by Larry Miller is incredible as a busy business leader, not to mention Peneloppe Ann Miller and Andy Dick as villains of the story, who do everything to sabotage Richard and Katie, they are just beautiful.
The character of Ben, played by Drew Fuller is as well played, when to the character of Willie Nelson in the role of Papi, he brings a paternal touch to the story, which makes the story touching. But for me, my favorite character is Betty, played by Karen Mcclain whom I love. She is just phenomenal!! Thank you Karen, you are magical !!! Special mention to Rachael Leigh Cook, whose character of Hailie is very well played too !!
Second: his story has a lot to do with his cult status, because even though it was announced that it was a kind of remake of «Working Girls», it makes me think more of «Legally Blonde», about the fact that Katie, a naive girl, was dumped by her boyfriend and changes of life just like Elle Woods in the revenge of a blonde and just for that fact, it gives a hell of a wink to the film, especially as Luke Wilson also played in the revenge of a blonde.
The scene where Katie is having lunch at the restaurant with Debra and Freddy reminds me of “Miss Congeniality” or Sandra Bullock eating with Victor. Kathie also cites her native department Oklahoma, which can also make a reference to the 1955 movie where a cowboy loves two women, which is the case with kathie when she’s dressed as a cowgirl, but invites ben to throw the amber party, without it being a date, because she thinks too much about her old boyfriend Billy. When Katie and Ben take the Norwegians to a bar, they dress up as Vikings and I saw a nod to the movie “The Vikings” of 1958 with Kirk Douglas and Tony Curtis.
The scene of Katie’s makeover reminds me of the movie « Clueless », « Miss Congeniality », or « The Princess Diaries ». Watching Katie bend over backwards for Debra reminds me of “The Devil Dresses in Prada”, because “Anne Hattaway also does the same thing in this film with “Meryl Streep”.
In addition, the character «Ben» who says before bringing a pizza to Katie «you have a preference for the guys in the mail», made me smile, because it is a direct reference to an old Jessica Simpson movie: « Employee of the Month», when the character played by Jessica in the movie had a crush only for the employees of the month.
If the film says a few times that you have to read between the lines”, it’s not from one character to another character that they say that, but it’s the characters to the viewers, what causes a 4th wall and proves that this film is absolutely as well written, as awesome and just for that, it is cult !!
Thanks to the whole team for making this film!! See more information on Blonde Ambition movie trailer.