Interview with Mocienne Petit Jackson, writer and daughter of Michael Jackson

Radio podcast with Mocienne Petit Jackson, author and daughter of Michael Jackson? Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in Spanish! Part two of the three-part autobiography of Mocienne Petit Jackson starts with an extended description of the kidnapping of Mocienne and her life in The Netherlands. Subsequently we read how her life turned out with her adoptive family – where she and her cousin Delivrance stayed. Gradually she discovers that her real father is Michael Jackson. At the age of 15 she left her adoptive family, lived at a boarding school for 4 years and then got a place of her own. We follow her throughout the time when she passed through her teenage years and entered maturity – which was not always easy. Mocienne meets a man who she has a child with. However, this commitment was not to be.

Mocienne Petit Jackson’s Thriller autobiographies were published in 2015 and were made available on Amazon in 2018. They are also currently available for purchase through Kobo. The books are available in English, Dutch, and Chinese. Future versions of the books will be made available in French (2020), Portuguese (2019), Japanese (2020), German (2020), and in Spanish (2020). Ms Jackson also claims that her father had a tendency to exhibit unusual behaviour which she believes may have arisen from the knowledge that he had kept his daughter in secret since the age of seventeen years. Michael Jackson allegedly did not discuss the topic openly because it was difficult and frightening for him to come to terms with.

Ms Jackson believes that such misinformation has poorly informed the public both about her relationship to Michael Jackson, and about her motives for having taken the matter to court. Her autobiographical series, Thriller, documents her life and gives her assessment on the state of affairs. Additionally, due to the fact that her aunt Diana Ross has declined to provide the press with comment regarding Michael Jackson since his death, Ms Jackson believes that crucial insights about the story are being concealed from the public. As a result of this, Ms Jackson was prompted to write the second instalment of her three-part autobiographical series, Thriller: The Dark side of the Netherlands, which focuses on her life in the Netherlands as well as the context surrounding the court case.

Thriller (1982): Let’s ignore the fact that Thriller is the best-selling album IN THE HISTORY OF THE PLANET or that its album cover is one of the most recognized in music history. Thriller earns its place atop this list because in just nine tracks, it rewrote all the rules. The title track is almost a clichéd Halloween song in 2018, but in its heyday the 14-minute video broke barriers for artists of color. “Billie Jean” was so popular that it forced MTV to not only pay more attention to black artists, but also caused it to shift its programming focus to pop and R&B records. Every single track is instantly recognizable to even novice music fans and the album was so good that it became MJ’s curse – he was never able to top it, so all subsequent releases were slighted by fans and critics. Thriller opened doors for musicians of color, put music videos on the map and made Michael Jackson the greatest performer of all time. Yes, it’s MJ’s best album. Maybe the best album ever.

Legal circumstances aside, Ms Jackson also expresses a strong personal sentiment toward Michael Jackson. She claims that, although the relationship she had had with her father did not manage to fully develop, he had indeed loved her and he was glad to have her as his child. At present, Ms Jackson is seeking to make a name for herself as her own individual. Thriller, for example, offers unique insights on her life by including stories concerning unusual and difficult situations that she experienced while living in the Netherlands. She argues extensively, for instance, that the harshness of the Dutch political system has had a significant impact on her character, and that by writing about it she can express a sense of frankness. Read more info at Michael Jackson Daughter Interview.

She asserts that the stories which had been published in late-2010 in light of the case have had a damaging effect on her reputation and on her business operations, and she expresses her belief that some measure of responsibility ought to be taken for the detrimental effects that being in the media spotlight can have on one’s repute. Ms Jackson also points out that the role of social media runs in a similar vein—alleging that it was used as a means to verbally harass her in relation to the court case, as well as to spread misinformation more generally. You maybe heard about the case of Mocienne Petit Jackson, called by the press the Michael Jackson’s secret daughter. What you probably didn’t know is the fact that Mocienne Petit Jackson is a fertile writer, with plenty of book available on Amazon and most of the other major book retailers. Contrary to the conclusion that has been drawn by people of the international media, the L.A. County Superior Court did not reject the claim of Mocienne Petit Jackson in 2010 on the grounds of the case’s validity. Instead, the request to validate Ms Jackson’s claim using DNA evidence from the deceased Michael Jackson was not granted due to the fact that the State of California does not possess the jurisdiction to conduct DNA tests on the deceased. As a result, the case has remained open indefinitely.

It’s strange, too. For instance, at the time of Jackson’s death, people kept saying to one another, “I can’t believe he’s gone.” When had anyone seen him? Save for headlines or tabloids, Jackson spent most of his time during the ’00s out of the spotlight. Even when he released 2001’s highly underrated Invincible, he made little to no appearances. Sure, Sony botched any plans on promotion, but it was nothing a world tour wouldn’t have solved. That’s why the release of Michael, Jackson’s first posthumous effort, feels relatively similar. The interest is there, but the icon isn’t.

With “Black or White,” Jackson lashed out at his public perception. In the interim since 1987’s Bad, he’d grappled with both outlandish rumors (buying the Elephant Man’s bones, sleeping in a hyperbaric chamber) and some that drew blood (allegations of bleaching his skin). The innocent popcorn-eating Michael of Thriller was gone, but calling him “Wacko Jacko” was slander. He wanted us to know he was a man, an eccentric sure, but an adult with deeply rooted beliefs. Released only five months before the LA Riots, the Rodney King beating and murder of Latasha Harlins almost certainly factored into Jackson’s increasingly political slant. “Black or White” articulated a utopian vision of a post-racial future while acknowledging the sins of contemporary bigotry. He demands equality, shouting that he “ain’t second to none.” He growls, “I ain’t scared of no sheets” (presumably Klansmen). Its hook offers his dream of a color-blind society, echoing Martin Luther King. Discover more details at Michael Jackson Daughter Books.

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